Prepress
With over a decade of experience in prepress, I have developed a keen eye for detail and precision, ensuring that every design is perfectly prepared for print. My work in this area spans a range of projects, including collaborations with renowned artists where I handled everything from color corrections to file preparation. Below, you can explore some of the significant prepress projects I’ve worked on, each one showcasing my technical expertise and commitment to delivering flawless results.

Ouka Leele

El espejo de Venus tiene escamas
Litografía offset 50 x 70

Charles Villeneuve
Lithographs on multiple plates printed with Pantone inks for the closest approximation to the pigments used by the artist. The prints were later hand-intervened by the artist using pencils and crayons.

Luis Feito
I had the privilege of working on the prepress for several pieces by Luis Feito from his final artistic phase, characterized by his iconic use of red and black. The project involved meticulous preparation using Pantone inks and offset lithography, ensuring that the printed works captured the depth and intensity of his original compositions.

The Print Shop.
Multidisciplinary Experience in Graphic Arts
Through years of work in graphic arts, I’ve developed a multidisciplinary expertise that spans pop-up designs, die-cuts, packaging, and bookbinding. This diverse experience enables me to tackle a wide variety of projects, combining technical precision with creative innovation to deliver exceptional results in each unique endeavor.
Prepress
File Review and Preparation: A Crucial Step for Quality Printing
The meticulous review and proper preparation of files before sending them to print is essential for ensuring a high-quality final result. This process should be carried out during the design phase to minimize potential issues that could arise depending on the chosen printing method. Unfortunately, many designers overlook this critical step, relying on print shops’ prepress departments to fix potential errors.
Common mistakes, such as using four-color blacks, placing marks within the trimbox, neglecting overprint settings for black elements, insufficient resolution, missing embedded fonts, or PDFs that fail to meet ISO standards, can significantly impact the outcome of a printed piece. Addressing these technical details during the development of a project not only avoids costly errors but also enhances efficiency and ensures an excellent final product.
Incorporating prepress considerations into the design workflow demonstrates a commitment to excellence and a deep understanding of the print process, bridging the gap between creativity and technical precision. This proactive approach not only safeguards the designer’s vision but also elevates the quality of the printed material.
